Symphony No. 2 Thomas SleeperZoe Zeniodi
00:00 / 03:33
No Moon in the Sky Frank TicheliZoe Zeniodi
00:00 / 06:37
1/4
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ZOE ZENIODI

CONDUCTOR

BIOGRAPHY

Zoe Zeniodi, hailed by the press as “Ms. Dynamite” and the “Ingenious Greek Maestro” has an international career which has led her to conduct productions at Carnegie Hall, Santa Fe Opera, New Zealand Opera, Bremen Opera, Opera Southwest, Florida Grand Opera, Greek National Opera, Onassis Cultural Center, Festival of the Aegean, among others. She has guest conducted Auckland Philharmonic Orchestra, Wellington Orchestra, Christchurch Symphony Orchestra, Colombia National Symphony Orchestra, Bogota Philharmonic, Brno Philharmonic, South Czech Philharmonic, Olympia Symphony Orchestra, Tokyo Star Symphony Orchestra, Palm Beach Symphony, Orchestra Classica Toscana, New Florida Philharmonic, Tatarstan National Symphony Orchestra, Vietnam National Symphony Orchestra, Pan-European Philharmonic, Youth Orchestra of Colombia, Academia Jovem Concertante and all the Greek Symphony Orchestras, among many others.

 

She has been a Fellow of the Hart Institute of Women Conductors (Dallas Opera) since 2016 where she has taken part in concerts and workshops with The Dallas Opera, San Francisco Opera, and Julliard School of Music. Zoe is a Taki Alsop Conducting Fellowship Mentee. Recently, she was a finalist in the prestigious La Maestra Competition in Philharmonie de Paris where she was chosen by the jury as one of the six women worldwide to be members of La Maestra Academy with engagements and professional support for 2022-2024.

Upcoming engagements include a double bill of Poulenc’s La Voix Humaine and D’Sotto’s The Call for Opera Queensland, Australia, Cover Conductor for Rossini’s Le Comte Ory for Lyric Opera of Chicago, as well as concerts with Bremen Philharmonic, Thessaloniki State Orchestra, Athens Philharmonia and various orchestras in Brazil. Recent highlights include a highly successful run of Le nozze di Figaro for New Zealand Opera, concerts with Stephen Hough and Lise de la Salle as well as being the first and only woman to ever conduct at Opera Southwest (I Pagliacci) with a return for RX Rodriguez’s Frida.

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