• Flower Song from Carmen
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  • Robert Watson
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  • Addio fiorito asil from Madama Butterfly
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  • Robert Watson
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10.17.2019

"Ismaele was sung the first night by Robert Watson. . .  Watson’s youthful tenor established the character’s purity and innocence. . . In the Part I trio between Fenena, Ismaele, and Abigaille, Watson’s youthful tone combined with Schlicht’s exquisite mezzo to create a...

09.23.2019

"THERE WERE SURPRISES on July 14 with Kristine McIntyre’s emotionally shattering mounting of Alban Berg’s seminal twelve-tone masterpiece Wozzeck.  . . Baritone Michael Mayes created a magnificently rendered portrait of the bedeviled protagonist that was heart-wrenchin...

07.30.2019

"If any further proof were needed that Des Moines Metro Opera is at the forefront of operatic excellence in America, their theatrically searing, musically impeccable Wozzeck would cement this assertion. I am happy to report that although I have only ever seen good prod...

07.09.2019

“The audience at the performance I attended on July 6, was open to the risk DMMO took and rewarded them with their applause. The applause after the 90-minute show would not stop. DMMO had to lower the "curtain" and turn on the house lights before the applause would die...

05.16.2019

"The other WNO debut, Robert Watson’s Cavaradossi, was strong up to and including a gloomy and heroic “E lucevan le stelle” in the third act. He nailed high notes with panache."
-Washington Classical Review

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