Stage director Tara Faircloth’s work has been seen in opera houses around the nation. Critics hailed her recent directorial debut at Lyric Opera of Chicago: a “wickedly funny, elegantly sung, cleverly directed production of Rossini’s The Barber of Seville. In recent seasons, she created new productions of The Little Prince (Utah Opera), Ariadne auf Naxos (Wolf Trap Opera), Il re pastore (Merola Opera), Agrippina (Ars Lyrica Houston), and L’incoronazione di Poppea (Boston Baroque).
The 2021-2022 season finds Ms. Faircloth working on several new productions, including Emmeline with Tulsa Opera, La Traviata at Opera Santa Barbara and The Merry Wives of Windsor with The Juilliard School, as well as a program with Ars Lyrica Houston entitled “Eternity and the Underworld” which pairs Jonathan Dove’s The Other Euridice and Bach’s Ich habe genug. In addition, she revisits old favorite The Barber of Seville in a debut at The Dallas Opera.
Faircloth has a thriving career in regional houses such as Utah Opera, Wolf Trap Opera, Arizona Opera, Tulsa Opera and Atlanta Opera (Il barbiere di Siviglia, Rigoletto, Die Zauberflöte, Hänsel & Gretel, etc.). The baroque repertoire is of special interest to Ms. Faircloth, who made her directorial debut with Ars Lyrica Houston’s production of Cain: Il primo omicidio in 2003 and has since designed and directed a number of shows for the company including Charpentier’s Actéon and La descente d’Orphée aux enfers.