• Arie aus Dem Spiegel von Ardadia
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  • Katherine Whyte
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  • Come Unto Him from Messiah
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  • Katherine Whyte
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05.23.2019

"The evening’s Don Giovanni was Mexican-American Richard Ollarsaba who brought an Iberian flavor to what is, after all, a Spanish part, more a Don Juan than a Don Giovanni. His was a brooding, if mellifluous, presence. He was well-paired with the energetic and comedic...

06.07.2017

"Of the two singers, Whyte had the more impressive and reliable instrument. The voice is large and brilliant, edging into dramatic coloratura territory with a full, expressive vibrato, excellent extension above high C, tightly handled runs, and a smoldering, sensual ch...

07.05.2016

"If you are looking for emotional depth as well as beautiful singing you will find it in the female roles. Katherine Whyte shows the Countess as an elegant woman with the patience of an angel and the voice to match. Her songs of despair are tender and her moments of fo...

05.10.2016

“Pero la ovación fue, sin dudas, para la actuación de la soprano KATHERINE WHYTE, que además de deleitar al auditorio con “Glittler and be Gay” de Bernstein, interpretó impecablemente y con majestuoso donaire “China, te amo”, en nítido mandarín / But the ovation was, w...

01.14.2016

“Katherine Whyte was both girlish and dignified as the Countess, informing every phrase with emotional intent. The runs to high C in “Susanna, or via sortite,” usually tossed off, became her only weapons against her increasingly violent husband. Cassandra Zoé Velasco’s...

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