American soprano Angela Fout’s operatic repertoire ranges from classical to contemporary, and she is an avid concert and festival performer on the national and international stage. After seven busy and exciting seasons living and working in Europe, Ms. Fout has recently returned to the United States, appearing with North Carolina Opera and Opera Memphis as Mimi in their productions of La bohème, New Orleans Opera to reprise her celebrated Donna Anna in Don Giovanni, and Arizona Opera as Lona Farrell in the world premiere of Arizona Lady. Additionally, she has appeared with Portland Symphony (opening their 90th season) and the Arizona Music Fest for performances of Janacek’s seldom-heard Glagolitic Mass.

Ms. Fout’s onstage appearances have included turns with New York City Opera, Spoleto Festival, Vancouver Opera, Minnesota Opera, Atlanta Opera, Palm Beach Opera, Austin Lyric Opera, and Wolf Trap Opera, Theater St. Gallen, and Deutsches Nationaltheater Weimar where she has acquired roles title roles in Arabella, Madame Butterfly, Verdi’s Giovanna D’Arco and La Traviata, Mayr’s Medea in Corinto, and Floyd’s Susannah. Other celebrated highlights include Liza in Pique Dame, Amelia in Un Ballo in Maschera, Agathe in Die Freischutz, Mozart ladies Fiordiligi in Così fan tutte, Countess Almaviva in Le nozze di Figaro, Donna Anna in Don Giovanni, and Elettra in Idomeneo. In addition, she has greatly enjoyed bringing operettas to the stage, such as the title role in Die Lustige Witwe, Frau Fluth in Die Lustige Weiber von Windsor, Gräfin Zedlau in Wienerblut, and her most frequently performed role, Rosalinde in Die Fledermaus. Most recently, Ms. Fout made her Carnegie Hall debut as Soprano One soloist in Mahler’s 8th Symphony with the Canterbury Chorale.


  • Mein Elmer from Arabella
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  • Angela Fout
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  • Laggiù nel Soledad from La fanciulla del West
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Latest News About
Angela Fout


"As Leporello, bass-baritone Joseph Barron was an audience favorite, offering a portrayal as humorous as it was richly sung. It is a shame that his aria “Ah pietà signori miei” was omitted. Missing also was “Dalla sua pace”, another artistic miscalculation as tenor Tyl...


"Mezzo-soprano Audrey Babcock gives Donna Elvira more of a spine than many directors often allow. As such she serves as an ultimate foil to Giovanni, not the mere doormat that he has used and tossed aside. Elvira still provides many of the humorous moments in the opera...


“Arizona Lady” had all the bells and whistles of more standard repertoire: Terrific vocal performances from leading lady soprano ANGELA FOUT. . . ”

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“. . . a packed house heard a rare live performance of Leoš Janáček’s great tribute to pan-Slavism, the Glagolitic Mass, with full chorus, soloists, organ and augmented orchestra. . .It was very well sung by the Choral Art Society and four soloists, soprano ANGELA FOUT...

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