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In Review: Boehler in Odyssey Opera's "The Lord of Cries"

“Similarly impressive in smaller roles were Matt Boehler’s noble, onyx-toned Van Helsing...” – Boston Classical Review “Matt Boehler, as...

Opera News celebrates Askren, McIntyre, Gartland, and Boehler in DMMO 2022 season

Congratulations to our artists who were a part of Des Moines Metro Opera's season this year on this wonderful review from Opera News!...

In Review: Boehler in Bernstein's MASS with the National Symphony Orchestra

"“Mass” also relies heavily on the strength of its ensemble singers and soloists, here presented as an assertively contemporary-looking...

In Review: Kathleen Belcher and Matt Boehler for FGO's "Rigloetto"

"fluid staging from director Kathleen Belcher" - South Florida Sun Sentinel "Verdi’s Rigoletto may be standard, bread and butter operatic...

'Fat Pig' unfolds operatic story of love, cruelty and bias

Anew production presented by Victory Hall Opera explores a contemporary story of boy meets fat girl, boy loves fat girl — and then boy’s...

ADA Adds Creatives and Master Teachers

At ADA, our job is more than just representing our roster artists – it's creating opportunities and making connections throughout the...

In Review: Boehler as Osmin in Lyric Opera of Kansas City "Abduction"

"Osmin, the buffoonish micromanager of the nightclub, is well cast in the towering figure of bass Matt Boehler, who transmitted the...

Boehler "wields a powerfully resonant bass" in Santa Fe Opera's "The Lord of Cries"

"As Van Helsing, Seward’s loyal and sensible adviser, Matt Boehler wields a powerfully resonant bass." - The Dallas Morning News...

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