NEWS

02.21.2020

"Fortunata is wonderfully matched with an excellent vocal and dramatic companion in Annie Rosen as Adalgisa. Hers is a naturally warmer sound than Fortunata’s, but hardly less brilliant when needed, and she sang the arias and duets to perfection, not the least the Miro...

07.10.2019

"Suzuki is an absolutely vital role that is too easy to take for granted. Annie Rosen was exemplary as Butterfly’s servant, her warm sound as comforting and reliable as Suzuki’s love and support for her mistress. In the context of Butterfly’s Japanese environment, she...

05.13.2019

"Also making her Utah Opera debut is mezzo-soprano Annie Rosen as Adalgisa. She captured the conflicted nature of her character perfectly. She brought depth to her portrayal as she sways between her love for Pollione and her vows as a young priestess. Rosen blended wel...

03.08.2019

"Annie Rosen has been superb in virtually every local appearance she has made on the opera stage or in concert since her time as a Ryan Opera Center young artist. It was high time this greatly gifted mezzo-soprano was given a leading part, and Rosen is absolutely sensa...

12.20.2018

"Soprano Jamie-Rose Guarrine was at her best in the slower, more lyrical solos, in which her pearly tone could be heard most clearly. She resisted the common urge to over-dramatize “I know that my Redeemer liveth,” instead showing how effective this aria is when sung s...

07.02.2018

"Edward Parks made a welcome Lyric debut with his beautifully vocalized Valentin. Annie Rosen was a pert Siébel who soared above the staff with ease."
-Opera News


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03.04.2018

"Annie Rosen was a worthy Siébel, well earning her usually cut second aria." 
-Chicago Classical Review

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"Annie Rosen brought a sweet, agile mezzo-soprano to the role of Siébel."
-Musical America

"As the lovesick adolescent Siébel...

08.12.2017

"Mezzo-soprano Annie Rosen had bone-chilling vocal power as the Stepmother." 
-Washington Classical Review

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