NEWS

09.26.2019

"All were notable and deserving of mention, but I was especially impressed by the four leading female roles. . . and contralto Alissa Anderson as Princess Clarissa, the king’s scheming niece, menacing in fox-hunting attire."

-Bachtrack

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“Alissa Anderson,...

07.10.2019

"Alissa Anderson, who plays Marcellina, finishes the triad of female strength in the show. While at first she seems antagonistic, she later gives her support to Figaro and Susanna. Marcellina is a stalwart and stubborn character, but once she accepts you into her heart...

05.16.2019

"Recent Grammy winner Edward Parks, a baritone, impressed as a protective, soldierly older brother to Marguerite...while mezzo-soprano Alissa Anderson was sassy as Marguerite’s neighbor. . .  The San Antonio Symphony in the pit played with gravity and balance under gue...

08.17.2018

“In terms of powerhouse vocal performances, Olivia Yokers and Alissa Anderson share the spotlight as Cinderella and the Wicked Witch respectively…Ms. Anderson uses the breathtaking range and strength of her operatic mezzo-soprano voice to blow the doors off the Eccles...

07.10.2018

"All three Tabarro principals acted (and interacted) very credibly. Eleni Calenos (Giorgietta) proved a find, a real verista who delivered the goods stylistically, with keen phrasing and darkly warm if occasionally resin-tipped vocalism. Matthew Vickers looked a burly...

05.14.2018

"Calenos gave an exceptionally musical and heartfelt interpretation of a woman torn between her desire to be faithful and her need for an independent life. And as her paramour, tenor Vickers has a romantic presence and the ample, bright squillo to ride Puccini’s lush o...

01.26.2018

"three redeeming features make this production worthwhile. . . Second is the cast. . .  Portraying a voluptuous Carmen, contralto Alissa Anderson sang the “Habanera” with power and passion as she searched for Don José, soon after presenting a more reflective “Seguidill...

06.07.2017

"Soprano Eleni Calenos delivered a brilliant and sensitive vocal performance as Giorgetta, torn between her lover Luigi and her husband Michele. Matthew Vickers was the real romantic tenor in the Italian tradition as Luigi, and Corey Crider’s deep, rich and expressive...

03.02.2017

"The cast was superb from the beginning to the end. Tyler Simpson's portrayal of Figaro was energetic, playful, and warm; and his rendition of "Se vuol ballare signor contino" set a very high standard for the rest of the opera. . . Alissa Anderson sang a saucy Marcelli...

05.09.2016

“The ensemble rose to the challenge of this fast-paced farce by displaying a seemingly effortless but no doubt hard-earned cohesion throughout the work’s multiple shifts in mood. . . Monica Yunus and JASON SLAYDEN brought out the secondary theme of young love effective...

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