NEWS

01.30.2020

“Persuasive and powerful, too, was Jennifer Zetlan as the tormented psychoanalytic patient at the center of “Ellen West”; Ms. Zetlan was focused through rangy, angry vocal lines and sweetly plangent in nostalgic reflection. . . The text is an enigmatic and poignant exp...

01.25.2020

"stage director Kristine McIntyre has kept the story-telling as fluid as possible. Although written in two acts, she quite rightly, I think, has chosen to align the work into one seamless and dizzying trajectory. McIntyre keeps the characters on stage most of the time...

01.16.2020

"Lidiya Yankovskaya brilliantly led the orchestral accompaniment, finding meaning in every gesture. . .

The central pillar of the production is Jennifer Zetlan’s captivating performance as Ellen. . .  her firm soprano has a way of grabbing the listener’s attention and n...

01.16.2020

"the production was brimming with excellent performances . . . Seasoned veteran bass-baritone Matthew Burns brought comedic and vocal flexibility to the workhorse Leporello. . . Ricardo Lugo lent his huge, round bass sound to the ghostly Commendatore."

-Opera News

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01.16.2020

"An appealing cast got to the heart of the drama . . . A natural at conveying Cavaradossi’s charm and self-confidence, Matthew Vickers gave the performance its first big musical jolt with a fervent, yet thoroughly elegant, “Recondita armonia” sculpted in long-breathed...

01.15.2020

"In his role debut as Rigoletto, baritone Michael Mayes expressed by turns raging power, gentle lyricism, and bleak pleading. Limping about with a hunchback and withered arm, his physical dexterity captured the look of Rigoletto’s damaged character with a chilling vivi...

01.13.2020

"The most impressive turn of the evening was reserved for Rehanna Thelwell in Night Trip, who brought a thrilling commitment and dramatic intelligence to the bravura solo scenes that bookended the piece.” 

-Washington Classical Review

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"Thelwell embodied...

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