NEWS

05.28.2019

"All of that is the world we see. But we really came to hear. And the voices in this stellar cast do not disappoint. Most remarkable, I think, is soprano Susannah Biller as the Countess. Hers is a flexible talent: on this stage she has sung for us the lovely Adina in E...

05.24.2019

"Director Stephanie Havey’s crisp pacing was enhanced by ballet-like choreography, performed to the musical interludes in Verdi’s score."

"This was such a convincing production that it was easy to attach to the emotion of the story, its passion, jealousy, fury and tende...

05.23.2019

"The evening’s Don Giovanni was Mexican-American Richard Ollarsaba who brought an Iberian flavor to what is, after all, a Spanish part, more a Don Juan than a Don Giovanni. His was a brooding, if mellifluous, presence. He was well-paired with the energetic and comedic...

05.21.2019

"Always a huge plus in these endeavors is the full Milwaukee Symphony Orchestra, under meticulous opera-attuned conductor Joseph Mechavich." -UrbanMilwaukee.com


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05.16.2019

"The other WNO debut, Robert Watson’s Cavaradossi, was strong up to and including a gloomy and heroic “E lucevan le stelle” in the third act. He nailed high notes with panache."
-Washington Classical Review

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05.16.2019

"As Amorita’s criollo love interest Luis, tenor Daniel Montenegro likewise successfully navigated the overlapping zones of opera and mariachi, particularly in his big aria, “El Cometa.”"
-Texas Classical Review

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"The strong cast was headed by Daniel Mont...

05.16.2019

"Recent Grammy winner Edward Parks, a baritone, impressed as a protective, soldierly older brother to Marguerite...while mezzo-soprano Alissa Anderson was sassy as Marguerite’s neighbor. . .  The San Antonio Symphony in the pit played with gravity and balance under gue...

05.15.2019

“Patrick Terry as Artemis negotiated improbable leaps between his baritone speaking voice and his golden countertenor.”                                                     -Bachtrack...

05.13.2019

"The convicted killer Sister Helen counsels, Joseph De Rocher, was sung by baritone Michael Mayes, a veteran of several Dead Man productions. The role fits Mayes’s instrument and comportment like a glove: the opera could have been written for him, and his interpretatio...

05.13.2019

"BLO music director David Angus steers the large orchestra adeptly through this dark tale, elevating the drama and capturing its many moods. Among them, in Ruders’s evocative score, are some stunning ensemble passages, most hauntingly a slew of sinister scriptural chan...

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