NEWS

03.29.2019

"The performances proved better than the opera itself, mezzo Martin the most imposing voice in the cast as Eva Crowley, the scale of Martin’s sound matched by the intensity of her delivery."-Chicago Tribune

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03.29.2019

"baritone Daniel Belcher is entirely believable as the the troubled patriarchal figure, and his commanding presence creates riveting tension. Belcher’s mellifluous voice is alternately strong and sensitive, and his musical nuance makes the plot resolution work."

-Opera...

03.26.2019

"There is star acting from mezzo Amanda Crider as Poppea. She is not just fetching in her seductive manner and sly power to corrupt, but potent in her crystalline voice while also melding so exactly with an elegant tenor, Karim Sulayman as Emperor Nerone. Their duets –...

03.22.2019

"Katie — played by pulsating soprano Jasmine Habersham." -Star Tribune


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"Habersham’s brief but memorable appearances are an integral part of this male-centric story and grounding our understanding of (and sympathies) for “Shoeless” Joe." -Twin Cities...

03.18.2019

"L’interprétation très exigeante de la partition acrobatique d’Aïda a été mise en vedette par Elaine Alvarez, pleinement engagée, qui a incarné les complexités théâtrales du personnage principal avec un équilibre dramatique et un lyrisme époustouflants.“/ "The very dem...

03.15.2019

“Soprano Susannah Biller did the role of Madame White Snake full justice.”
-Peter Gordon, Asian Review of Books

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03.12.2019

"Nistico’s deep voice is most satisfying, but what stays in the memory is his entirely believable, over-the-top tantrum." -Sarasota Herald Tribune

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03.12.2019

"Matt Boehler as Sarastro inhabited his character with conviction, and sang with a warm yet authoritative deep voice." -Utah Arts Review

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"The lovers’ most rational and wise moments are enabled by the wise counsel of the man who supposedly kidnapped Pami...

03.12.2019

“Corey Bix was a vocally commanding Kronprinz.”...

03.12.2019

Palm Beach Opera serves up a striking, film noir “Don Giovanni”
"Don Giovanni’s brand of swinishness is so universal that the opera translates smoothly into other eras. In a production that opened Friday at the Kravis Center, stage director Kristine McIntyre’s smart, w...

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