NEWS

09.14.2018

"With his warm voice and winning personality, Conor McDonald was a stand-out as the homesick French aide-de-camp Ponchet." -Opera News (October 2018)

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09.14.2018

"Joanna Latini, a generous performer, brought to the title role winning personality and a sound both luscious and supple, exuding charm even while killing rabbits. [Martin] and Latini looked splendid together, and their flirtation and courtship were musical highpoints....

09.09.2018

"“Cavalleria” also featured a gorgeous contribution by mezzo-soprano Laura Krumm as Lola, the focus of all the men’s desires. Krumm has been a strong, reliable presence on local opera stages since her time as an Adler Fellow several years ago, but I’ve never before hea...

09.05.2018

"An excess of riches, no question about it. And that included the somewhat ethical assassin, Sparafucile. Joseph Barron’s rich bass-baritone made his scenes ring with threat and menace (while still sounding gorgeous). And his singing in the Act three quartet helped mak...

09.05.2018

"The vocal acting of intrepid mezzo-soprano Annie Rosen amplifies the importance of Susie’s every word and note, lending the character added substance. . . Baritone Daniel Belcher’s Bill is also a fully-characterized depiction, sung with burnished tone and verbal lucid...

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