NEWS

08.31.2018

"As Rosalinde, Sara Gartland sang with dark, full-bodied tone that easily filled the hall. Gartland and her Eisenstein, Daniel Belcher, made an elegant, engaging couple especially during Act I’s duplicitous “So I must remain alone” and Act II’s flirtatious “Her bearing...

08.31.2018

"Falstaff is truly an ensemble opera, demanding solid acting and singing in even the smallest roles, and OC gave Edwards everything a director could wish for. Dana Beth Miller’s Quickly nearly stole the show, easily projecting her impeccably controlled mezzo to the far...

08.31.2018

"Cassandra Zoe Velasco’s hefty mezzo, which made Rodrigo a formidable, potent presence. . . Spoleto’s pick-up orchestra, augmented in Pia by Westminster Choir, remains a marvel, and Lidiya Yankovskaya conducted with the brio and tenderness this opera demands."
-Opera N...

08.17.2018

“In terms of powerhouse vocal performances, Olivia Yokers and Alissa Anderson share the spotlight as Cinderella and the Wicked Witch respectively…Ms. Anderson uses the breathtaking range and strength of her operatic mezzo-soprano voice to blow the doors off the Eccles...

08.06.2018

"The cast was strong from top to bottom, led by the enthusiastic portrayal of Figaro by Joseph Barron, whose bright, focused singing was suited to the role; his Figaro was believably enamored of his Susanna."
-Opera News

Read full review.

08.06.2018

"Edward Parks’s high baritone and commanding presence made it easy to see why Carmen would abandon Don José for his Escamillo. David Crawford played a dashing Lieutenant Zuniga" -Opera News

Read full review.

08.03.2018

"Tenor Tyler Nelson, who played the magician, displayed great sleight of hand, much to the audience’s pleasure and sang quite wonderfully. He took pleasure in his role." 

-The Daily Gazette


Read full review.

"Lawrence Edelstein’s powerful production is clear and compel...

08.03.2018

"Joshua Jeremiah (Marcel) stood out in the crowd, singing with a powerful, true baritone voice, and he acted the part with a great flair for comedy. A black leather jacket and his mop of dark curly hair gave him a look that fit well into the scene." 

-Pittsburgh in the...

08.02.2018

"The sounds that emerged from the pit were just as graceful and electrifying. The overture was played without any distracting stage gimmicks. How wonderful it was to anticipate the curtain rising. Conductor Joseph Colaneri knows how to make a Rossini Rocket take flight...

Please reload

Please reload

© 2016 Copyright 2009, ADA Artist Management & Representation 

251 West 30th Street Suite 502, New York, NY 10001