NEWS

02.27.2017

"Only Sharin Apostolou, as Nell Gwynn, was consistently audible (although not entirely intelligible), consistently musical, and consistently in character: her bombastic, borderline-incompetent audition-piece was all the more hilarious for being carefully studied and ho...

02.21.2017

"Director John Hoomes has staged the piece with stylized specificity, using projected visuals to enhance and punctuate the humor. . . Treviño is outstanding as the “Client”
-The Tennessean

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"The Client's character demands a very wide scope of contradicto...

02.20.2017

"Joseph Barron’s muscular bass-baritone and flair for dynamic phrasing made him a commanding Kaspar." -Opera News

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"Joseph Barron (Kaspar, the man under the devil's power who attempts to exchange his soul for Max's) likewise delivered a strong and convin...

02.20.2017

"Victoria Livengood was terrific as Eunice, expanding the role with a great voice."
-Honolulu Star-Adviser

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02.20.2017

"In the large cast of supporting roles, bass Ricardo Lugo and bass-baritone Carsten Wittmoser stood out for their mellifluous tone and elegant phrasing." -Opera News

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02.20.2017

"while Noel Bouley, another prized ensemble member, added his own confidently resonant tones to an unexpectedly fresh-faced Alfonso (it worked!)." -Opera News


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02.20.2017

"GEORGES BIZET'S CARMEN opened Utah Opera’s new season on October 8, featuring a uniformly young and attractive cast under the direction of Tara Faircloth. Faircloth deftly fleshed out characters’ motivation, driving momentum and credibility as the story careened to it...

02.11.2017

"The mezzo-soprano Susanne Mentzer is an expressive Nelly, the housekeeper of Wuthering Heights ... The Milwaukee Symphony Orchestra conducted by Joseph Mechavich unveils blooming colors within the score."
-Opera Nederland

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02.03.2017

"The other two leads, Keith Jameson as Sancho Panza and Audrey Babcock as Aldonza/Dulcinea, bring the same level of charisma to their performances, revealing the characters as much through their physical acting as through their expressive vocals."
-Salt Lake Tribune

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02.03.2017

"The high-point of the opera, however, in terms of arias (and this is an opera filled with well-defined arias) was Chen-Ye Yuan as Chou En-lai's toast. He is a baritone of great lyrical skill, seemingly in the early part of his career, but filled with great artistry. A...

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