NEWS

06.30.2016

Bouley will again return to Aspen to join AMFS Music Director Robert Spano, the Colorado Symphony Chorus, and the Colorado Children’s Chorale bring the season to a close with Carl Orff’s wildly popular Carmina burana.

Tickets & Information

06.21.2016

 #thinkingforward
#realizingart

06.20.2016

"Radvanovsky and Susanne Mentzer—who had recently completed a run of Marcellinas at the Met—joined in a gutsy “Mira o Norma” that marked the first time the two had sung together anywhere. On her own, Mentzer delivered a full-blown “Sein wir wieder gut” from Ariadne auf...

06.20.2016

"Basses Derrick Parker as Ramfis, Matthew Treviño as the King of Egypt and baritone Alfred Walker as Amonasro gave bravura performances. Sadly, their roles seemed all too short." -Opera News

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06.20.2016

"Musically, the casting of the leads could not have been bettered. Baritone Michael Mayes, in his sixth production of the opera, embodied the conflicted character of Joseph De Rocher with an almost eerie intensity. . . this was a consummate performance, powerfully sung...

06.20.2016

"A number of the performers, through strong singing and dramatic conviction, surmounted the hurdles the maladroit production placed in their paths. . . Sidney Outlaw, as Jake, sang “It take a long pull to get there” with anthemic authority." -Opera News

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06.20.2016

"in the pit, David Angus drew a sympathetic reading, relishing the different orchestral palettes Massenet conjures, especially the bold dashes of Kenneth Radnofsky’s saxophone solos." -Opera News

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06.14.2016

"Maestro Joseph Mechavich leads his Milwaukee Symphony Orchestra and the choral forces of the Florentine Opera Company, one of America’s oldest such vocal organizations, in a precedent setting performance that will make listeners unfamiliar with this work sit up and ta...

06.13.2016

“Tulsa native LAUREN MCNEESE, making her second appearance with Tulsa Opera, wonderfully embodies the title role. For the slow and dreamy aria, “Una volta c’era un rè,” McNeese used a rich, rounded, warm tone. . . And for the climactic “Nacqui all’affanno, al pianto,”...

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