NEWS

02.27.2016

Telling It Like It Is: A Conversation with Cindy Sadler

I’ve been a long-time fan of Cindy Sadler – if you’ve been a part of the classical singer community for any amount of time, you’ve heard her name: she’s been the advice columnist known as “Erda” for Classical Singe...

02.25.2016

“The supporting characters were reasonably strong, with Tony Stevenson showing a firm tenor as Goro and RICARDO LUGO looming imperiously as the Bonze.” -New York Classical Review

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02.25.2016

“The production is well-cast and superbly sung, from Seth Carico’s scrupulous Kolenatý to Derek Welton’s loweringly nasty Baron Prus and Jana Kurucová as the impulsive Krista.”-Financial Times

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“Deutsche Oper Ensemble member Seth Carico brought a virile...

02.23.2016

“. . . his mother Emelda (a magnificent portrayal of selfishness and self-assertion by Karen Slack) . . . Slack uncorks an arresting blues aria, accompanied only by the quizzical intervals and glides of Marcus Shelby’s bass, about the essential solitariness of life. “A...

02.16.2016

“Juliet, played with exuberant grace by soprano Marie-Eve Munger, is given numerous opportunities to shine in Gounod’s adaptation, and Munger is adept at seizing them all. In Act I, at Capulet’s feast, she whirls around the stage while delivering Gounod’s famous “Je ve...

02.16.2016

“another excellent stage presence was bass GUSTAV ANDREASSEN, who played Osmin, the Klingon who guards Klingon leader Chancellor Selim, played by Kevin Murray in a non-singing role. Andreassen’s deep voice and comic acting helped carry the simple story of Belmonte tryi...

02.16.2016

CONGRATS to Marie Lenormand mezzo-soprano for being the recipient of a 2016 The GRAMMYs for Best Opera Recording of Ravel’s “L’enfant et les sortilèges”!! CONGRATS also to Seiji Ozawa and the Saito Kinen Festival Matsumoto and all involved!...

02.14.2016

“Nothing seems to be lost by way of melody, even in Emily Birsan’s stunning rendition of “O mio babbino caro,” easily the most delightful beautiful moment of the entire production.”

-stageandcinema.com

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“The other standout, vocally speaking, was soprano...

02.10.2016

“Bass-baritone Stephanos Tsirakoglou offered an uncommonly well sung Frank.” -Opera News

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02.07.2016

“There cannot be enough said about the effectiveness of Kathleen Smith Belcher’s stage direction. In her Sarasota Opera debut, this veteran of the Met and other major stages of the opera world, added a new level of entertainment excellence for us to enjoy. At no point...

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