NEWS

01.27.2016

“Miller proved a real scene stealer herself, bringing depth of emotion and striking theatricality to Adalgisa’s every appearance. Her rich, smoky sound, ease in the voice’s highest and lowest extremes and firm control were matched by glamour and dramatic intensity. The...

01.17.2016

"Sharin Apostolou also showed an impressive flair for dance in the role of Valencienne, Baron Zeta's flirtatious wife, who joins up with the Grisettes at Maxim's for some reason. Apostolou held her own with the sextet of professional dancers. Her singing was equally st...

01.14.2016

“Katherine Whyte was both girlish and dignified as the Countess, informing every phrase with emotional intent. The runs to high C in “Susanna, or via sortite,” usually tossed off, became her only weapons against her increasingly violent husband. Cassandra Zoé Velasco’s...

01.13.2016

“Ashley Riches’s Schaunard and NICHOLAS MASTER’s Colline both fitted in perfectly, the latter with a resoundingly warm coat song to his credit.” -OPERA NEWS

Read full review.

01.13.2016

“The production’s biggest treat came from the pit—members of the Utah Symphony Orchestra conducted brilliantly by Utah Opera favorite Robert Tweten. Quicksilver woodwinds and strings negotiated the score unerringly, and the band’s potent horn section capped thrilling c...

01.13.2016

“The success of the evening was due to an incredible cast. . .Bass Peter Volpe and soprano KATRINA THURMAN were delightful as Basilio and Berta, providing further hilarity.” -Opera News

Read full review.

Please reload

Please reload

© 2016 Copyright 2009, ADA Artist Management & Representation 

251 West 30th Street Suite 502, New York, NY 10001