“Baritone Sidney Outlaw used his even and rich voice with great skill pulling off some really fast passages with remarkable clarity. Outlaw has had a flair for comedy since CVNC first reviewed him when he was a UNC-G undergraduate.” -Classical Voice North Carolina



“Fearlessly focused, Ms. RINGLE sounded mellow and melancholy, her mezzo taking on an otherworldly luminousness in “Au cimetière” and a poignant richness in “L’île inconnue.” It was a show deserving of its big crowd.” -New York Times

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“Clay Hilley is a wonderful tenor who plays the role of Siegfried, the warrior who gives the ring to Brünnhilde, which seals their fates together. Hilley looks the role of the powerful fighter, and sings gorgeously.” -St. Louis Magazine

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“Tenor Clay Hill...


“Bass Matthew Treviño made a noble young king . . ”
-Aspen Times

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“Bass Matthew Treviño and tenor Landon Shaw II used strident declamation, good diction and excellent acting—not to mention the appearance of handsome youngmafiosi—to make the most of their...


"Robert Watson, after last year’s “Le pauvre matelot” (“The Poor Sailor”), got to try out one of the most oft-performed roles of the standard repertory, Pinkerton, and sang with a ringing and sustained sound that almost belied his character’s weakness."

-The Washington...


"Tenor John Riesen won the audience's hearts as Lensky...His farewell aria was robust and powerful, and the fact that he looks so young made the power of his voice a happy surprise and helped to gather sympathy." - Chautauquan Daily

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"Utah Opera resident artist Tyson Miller, continuing the scene-stealing tendencies of other resident artists, gave a broad comedic performance as Sellem, the auctioneer. Miller’s lyric tenor ping-ponged effortlessly through the part’s challenging range." 
-Robert Colem...

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