12.03.2019

"Montenegro’s Mario sweetly gains confidence, with Neruda’s assistance, as he gains Beatrice’s hand. He plays very effectively Mario’s sadness and bewilderment when Neruda, released from exile and once more globe-trotting to great acclaim, seems to have forgotten him.....

08.31.2018

"Falstaff is truly an ensemble opera, demanding solid acting and singing in even the smallest roles, and OC gave Edwards everything a director could wish for. Dana Beth Miller’s Quickly nearly stole the show, easily projecting her impeccably controlled mezzo to the far...

05.09.2018

“Alongside Sigurdarson, some noteworthy voices shone. At the top of the list for unwavering consistency and interpretation, there was silken soprano Susannah Biller as the winsome ingénue Nannetta, hearty mezzo-soprano Dana Beth Miller as the nettlesome Dame Quickly......

10.20.2017

"In “Cavalleria,” the role of Santuzza, the rejected lover of Turiddu, was sung mournfully by soprano Dana Beth Miller, who hit the high notes with ease and distinctive clarity. Judging by the standing ovation at the end of the performance, she was clearly the audience...

05.19.2017

"The Ulrica of Dana Beth Miller harkens to the great mezzos and contraltos of the past. She is the most interesting character in the entire piece. Her commitment is to giving a most beautiful sound while scaring the bejeezus out of us. It is time for her Azucena, Eboli...

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