• All Those Faces from The Consul
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  • Audrey Babcock
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11.08.2019

"Eleni Calenos was magnificent in the challenging role of Cio-Cio-san. Does casting the role with a non-Asian performer in 2019 naturalize cultural appropriation? Or is Puccini among the first composers to offer a critique of cultural imperialism? The answer at this po...

07.25.2019

"Oh my. Let’s start with Carmen herself, sung with mesmerizing command by mezzo-soprano Audrey Babcock. One has to wonder what on earth Babcock would have done with her life if she hadn’t found opera and if Bizet hadn’t written this role for her. She is so perfectly su...

07.18.2018

"Sometimes opera performances are dominated by a single singer. That was the case Friday evening when Mill City Summer Opera opened its new staging of Bizet's "Carmen" at Mill City Museum in Minneapolis. Mezzo-soprano Audrey Babcock has sung the part of Carmen more tha...

11.13.2017

"Audrey Babcock was on the same level as Magda’s nemesis, the Secretary–the consul gatekeeper whose mindless subservience to rules, forms and appointments keeps the desperate emigrants waiting forever for their visas. With crystal-clear diction and an ample mezzo voice...

10.20.2017

"There are similarly remarkable performances from Audrey Babcock as the complicit, dutiful, sensitive consular Secretary. . . Victoria Livengood, whose flexible mezzo-soprano managed a remarkably deep register for the distraught Mother" -StageandCinema.com

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