Katherine Whyte has performed on opera and concert stages across her native Canada, the United States and Europe. Opera Today has hailed her for her “keen artistic sensibility” while the San Francisco Classical Voice has praised her “her glamorous, vibrato-rich voice”. Recent seasons included her return to the Metropolitan Opera to cover Despina in Così fan tutte, her debut with Heartbeat Opera as Agathe in Der Freischütz, and Fiordiligi in Così fan tutte with Opera Grand Rapids. The 2021-22 season sees her debut with Intermountain Opera Bozeman as the Countess in Le nozze di Figaro.
The 2018-19 season for Ms. Whyte included Beethoven’s Ninth with the Louisiana Symphony, joining Opera Hong Kong as Donna Anna in Don Giovanni, Adina in L’elisir d’amore with Grand Junction Symphony Orchestra, and returning to the Metropolitan Opera for productions of Suor Angelica and Don Giovanni. The 2017-2018 season saw her return to the Metropolitan Opera for Parsifal as well as appearing in concert with the Mountain View International Festival of Song and the Orquesta Sinfonica Mineria for Beethoven’s Ninth Symphony.
Additionally, she appeared with both Charlottesville Opera and the Norwalk Symphony as the Countess in Le nozze di Figaro. The 2016-2017 season included her return to the Metropolitan Opera for productions of Jenufa and Rigoletto, a debut with the Edmonton Symphony for Handel’s Messiah, Fauré’s Requiem with Manhattan Concert Productions at Carnegie Hall, and her debut with the Qingdao Symphony Orchestra in China. The 2015-2016 season saw her debut with the Dallas Opera as Pousette in Manon, a return to the Metropolitan Opera Company for their production of Rigoletto, the Countess in Le nozze di Figaro with Opera Saratoga, and concerts with the Kaohsiung Symphony Orchestra and the Orchestra of China’s National Opera at the Meet in Beijing Arts Festival.