Conductor Robert Wood founded UrbanArias in 2009. Under his guidance, the company has achieved national recognition as an innovator in the field of opera, and has given over 70 performances in Arlingon, DC, and New York City. He has conducted UrbanArias’ productions of After Life/ Josephine (Cipullo), As One (Kaminsky), Blue Viola (Hilliard), Glory Denied (Cipullo), Before Breakfast (Pasatieri), 

The Filthy Habit (Hilliard), Photo-Op (Cummings), Paul’s Case (Spears), and Three Decembers (Heggie) to great acclaim. Maestro Wood made his debut with the San Francisco Opera in 2004 with Verdi’s La Traviata. He recently conducted Three Decembers at Kentucky Opera, Die Fledermaus at Hawaii Opera Theatre, and Roméo et Juliette and Carmen at Opera Colorado. Guest appearances for recent seasons have included leading As One at Hawaii Opera Theatre and Lyric Opera of Kansas City, joining the University of British Columbia for Silent Night, and Annapolis Opera for Carmen. The 2019-2020 season includes Austin Opera for Rigoletto and Bay Chamber Concerts for The Man Who Mistook His Wife for a Hat.


Mr. Wood was appointed Conductor in Residence at the Minnesota Opera from 2006-2008, leading productions of L’italiana in Algeri, Le nozze di Figaro, La donna del lago, Rusalka, and, most recently, Il barbiere di Siviglia. Mr. Wood has also conducted concerts at San Francisco Opera featuring Stephanie Blythe and Lawrence Brownlee, and with the Merola Opera Program’s young artists. Additionally, he conducted L’italiana in Algeri at Vancouver Opera, Die Entführung aus dem Serail for Hawaii Opera Theatre, The Love for Three Oranges at Indiana University Opera Theater, La Cenerentola at New Jersey Opera Theater, Lakmé at Minnesota Opera, and The Nutcracker for San Francisco Ballet. Mr. Wood’s collaborations with the Wolf Trap Opera Company include Le Comte Ory and Die Zauberflöte. Other conducting engagements include H.M.S. Pinafore with the Indiana University Opera, and a recording for ODC Dance in San Francisco of Jack Perla’s On a Train Headed South.

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Robert Wood


"stage director Kristine McIntyre has kept the story-telling as fluid as possible. Although written in two acts, she quite rightly, I think, has chosen to align the work into one seamless and dizzying trajectory. McIntyre keeps the characters on stage most of the time...


"Guest conductor Robert Wood underscored the drama and sonority of the music for Austin Opera’s latest staging, which plays through Sunday at the Long Center. For her part, stage director Tara Faircloth highlighted the concrete and specific psychologies of the characte...


"Conductor Robert Wood have created a wholly original interpretation of Costello’s quixotic exploration of love in all its facets: raw, wanting, hurting, grasping, embracing, soaring, sorrowing...Musically delightful and demanding, the cast and orchestra unite soul dee...


‘“Florida” certainly had strong moments, not least Florida herself: Sharin Apostolou was terrific playing a curious, vibrant teenager with a vivid and seemingly tireless soprano voice. . . "Ian McEuen offered a firm, darkening tenor and a range of brief, vivid characte...


"The outstanding mezzo-soprano Rebecca Ringle, her voice dark and warm and a tangible anchor in the ensembles. . . As Wright, the fine baritone Sidney Outlaw . . .The whole thing was, though, a generally intense and pleasurable musical experience in the hands of UrbanA...

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