laurent campellone

conductor

A specialist of operatic and symphonic French repertoire, Laurent Campellone’s current and future engagements include Faust and Gounod's Roméo et Juliette with Opéra de Monte Carlo, La  
Traviata and Carmen with the  Bolshoï Opera of Moscow, Lakmé with Munich Radio Symphony Orchestra and Opéra d’Avignon, Roméo et Juliette, Offenbach’s Fantasio and Viarney's Les Mousquetaires au couvent with Opéra-Comique of Paris, La belle Héléne, Orphée aux enfers with Opéra National de Lorraine in Nancy and Angers-Nantes Opéra where he also conducted Chabrier’s L’étoile, Offenbach’s 

Barbe-bleue and The Tales of Hoffman,  Roméo et Juliette with Royal Opera House Muscat, Oman, and Werther with Opéra de Colombia, Bogota.


Career highlights for Maestro Campellone have included La gioconda, Carmen, Turandot with Deutsche Oper Berlin, Les Troyens with Manaus Opera, Les pêcheurs de perles and Faust with Madison Opera, Lakmé, Don Quichotte, La Traviata, Turandot, and Le damnation de Faust with National Opera of Bulgaria, Les contes d’Hoffmann with the Bolshoï, L’enfance du Christ, La Périchole with Marseille Opera, Don Pasquale, Lucia di Lamermoor, Cleopatra by Cimarosa Spoleto, L’etoile, La grande Dûchesse de Geroldstein, Les mamelles de Tirésias, and La voix humaine with Toulon Opera, Les contes d’Hoffmann and L’étoile with Angers-Nantes Opera, Il barbiere di Siviglia with Opera Nationale de Bordeaux, La Cenerentola with Bogota Opera, and Werther with Messina Opera. Maestro Campellone has been Musical Director of Saint-Etienne Opera and Symphonic Orchestra and has been given the high honor of being named Chevalier for the French Ordre National des Arts et des Lettres.

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Latest News About
laurent campellone

03.27.2018

“In Monte-Carlo, the answer is obvious: the musical interpretation given by Laurent Campellone, with a superlative orchestra, is one that captivates through and through! From the very beginning, he knows how to modulate intensities, play with timbre shades, create cont...

06.07.2016

“The young French conductor loves Carmen and that can be heard in every single beat. After a dynamic overture, he shows more restrain, allowing the orchestration to shine: it is rare to see so much care given to each and every detail, such as the subtle lamentation of...

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