Hailed by The New York Times as “a bass with an attitude and the goods to back it up,” Matt Boehler has been critically acclaimed both for his dramatic skill and his vocal ability. With Wolf Trap Opera Company, Mr. Boehler garnered much praise in the title role of Sweeney Todd, causing The Washington Post to proclaim, “He is, quite simply, a marvel.” Boehler’s calendar over the last years has included engagements at some of classical music’s most prestigious venues. He has sung at The Metropolitan Opera in both Iolanta and The Nose, Théâtre Royal de La Monnaie in Daphne, and Canadian Opera Company in Roberto Devereux. He has been heard with the New York Philharmonic in Elektra, the Baltimore Symphony Orchestra in Bernstein’s Mass and with Spoleto Festival U.S.A. in Glass’ Kepler.               
Last season saw Mr. Boehler as Sarastro in Die Zauberflöte with Utah Opera and joining the New York Festival of Song in concert and the Ravinia Festival for Bernstein’s Mass. The 2019-2020 season includes Osmin in Die Entführung aus dem Serail with Lyric Opera of Kansas City, George Moscone in Harvey Milk with Opera Parallèle, a role debut with Trinity Wall Street, Dvorak’s Requiem with the Madison Symphony, and a concert with the New York Festival of Song.

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Latest News About
Matt Boehler


"Osmin, the buffoonish micromanager of the nightclub, is well cast in the towering figure of bass Matt Boehler, who transmitted the frothing insecurity of a man driven by jealousies and a yearning for authority. Though he bullies everyone, he saves a bulk of that ire f...


"Matt Boehler as Sarastro inhabited his character with conviction, and sang with a warm yet authoritative deep voice." -Utah Arts Review

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"The lovers’ most rational and wise moments are enabled by the wise counsel of the man who supposedly kidnapped Pami...


"Verdi’s best music is almost invariably delivered by Rigoletto, daughter Gilda and the Duke. Among the three, I was most impressed by soprano Marie-Eve Munger as Gilda. Seldom will you hear Gilda’s ascents up the scale handled with such tenderness and fluidity. Gilda’...


"Bass-baritone Richard Ollarsaba is fantastic as Figaro, servant to the pompous aristocrat Count Almaviva. . . Ollarsaba, who was a swaggering Escamillo in “Carmen” two years ago, has no patience with Almaviva and makes that robustly clear through every scene, especial...


"Three brilliant performances anchored the opera. . . As the cheerfully demented Kildare—his every appearance marked by an insistent ostinato figure straight from Jenůfa—gifted baritone Daniel Belcher uttered every syllable with relish and point."
-Opera News

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