calvin

griffin

bass-baritone

Calvin Griffin, a native of Columbus, Ohio, has been hailed as “outstanding” by Opera News and was commended for his “voluminous bass-baritone” by South Florida Classical Review. His 2019-2020 season included the title role in Le nozze di Figaro with Florentine Opera, Handel’s Messiah with the Columbus and Virginia Symphonies, and singing Brühlmann and covering Lesbo in Werther in his Metropolitan Opera debut. This season, he returns to The Atlanta Opera as Der Lautsprecher in Der Kaiser von Atlantis, and makes his Opera Theatre of St. Louis debut as Simone in Gianni Schicchi and the Narrator in On the Battlefield of Broken Hearts.

 

In the 2018-2019 season, Mr. Griffin returned to the Richmond Symphony for Handel’s Messiah, Florida Grand Opera as the title character in Le nozze di Figaro, Minnesota Opera as Eddie in The Fix, and Wolf Trap Opera as Bartolo in Il barbiere di Siviglia and Gomez in L’heure espagnole. In a busy 2017 -2018 season, he made exciting debuts with Atlanta Opera as Mother in The Seven Deadly Sins, Opera Birmingham as Escamillo in Carmen, Opera on the James as Leporello in Don Giovanni, and Opera Orlando as Alidoro in La Cenerentola. Additionally, he returned to Arizona Opera to sing Dr. Bartolo in Il barbiere di Siviglia, Atlanta Opera as Morales in Carmen, and debuted with Minnesota Opera as the Potter’s Assistant in Fellow Travelers. In concert, he sang Handel’s Messiah with the Richmond Symphony and Bach’s Mass in B minor with Gloria Musicae in Sarasota, Florida. In the summer of 2017, Mr. Griffin returned to the Glimmerglass Festival as Elviro in Xerxes and the Undertaker in Porgy and Bess

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  • Votre toast from Carmen
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  • Se vuol ballare from Le nozze di Figaro
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Latest News About
calvin griffin

10.15.2019

"As Figaro, bass-baritone Calvin Griffin delivered a performance that could have been on any opera stage in the world. He sang with a sturdy and even sound from the top to the bottom of his voice and brought colorful diction and easy freedom to the part. . . Susannah B...

08.15.2019

"Conductor Lidiya Yankovskaya kept the orchestra and cast moving at a good clip. In the arias, she gave each singer leeway to punctuate and exaggerate the phrases just so, enhancing Rossini’s score with a deft touch."
-Washington Post

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01.26.2018

"three redeeming features make this production worthwhile. . . Second is the cast. . .  Portraying a voluptuous Carmen, contralto Alissa Anderson sang the “Habanera” with power and passion as she searched for Don José, soon after presenting a more reflective “Seguidill...

03.27.2017

“The young American bass-baritone Calvin Griffin, as Arenas’s nemesis Victor, also turned in a terrific performance. He has a big, commanding instrument that he can use with real menace. He was at all times the rigid ideologue and unchecked power glutton, except for on...

11.13.2016

"Calvin Griffin . . . bringing a darkly lustrous voice to the toreador’s final duet with Carmen"

-South Florida Classical Review

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